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Press review - Radioindy - Ode To Brother Horn

Pressespiegel press review :: Rukshan Thenuwara - Muzik Reviews.com

 

 

eloah - Ode to Brother Horn

Austrian musician Eloah dedicates his latest album to his late mentor and soul brother Jörg Horner, known affectionately as “Brother Horn.” The album is a collection of beautiful and rather haunting songs sprinkled with Eloah’s low bass voice floating above lush melodies and classic rock elements.   The second song off the record, “Paradise Lost” sounds like a melancholy hit with its sad yet poetic lyrics and stellar guitar arrangements while “Chjong Nadah Boo” introduces crashing drums and effervesant vocalizations that juxtapose Eloah’s soft singing only to then re-establish dominance throughout the chorus. “Iron Lady” begins with such an enticing melody that it seems a shame that the artist takes the song in a different direction. So different in fact, that it ends up sounding like a mash up between death metal and acoustic rock acompanied by his dark and heavy vocalizations. “You Have Never Been Mine” on the other hand sounds strangely familiar to the Beatles except for injections of a gravely voice repeating “never ever” during the chorus. Elsewhere, “Hymn to Brother Horn” is an instrumental track filled with electronic melodies fueled by heavy rock infleunces and “Eloah (A Dirge for Brother Horn)” is a soft piano ballad. To display his diverse use of instrumentation and elements, “Listen to Your Soul” is alike a Simon and Garfunkel tune mixed with jazz saxaphones and metal guitars. The result is catchy and engaging, a feat that is hard to pull off with such clarity and harmony. The latter end of the record has a definite soft, melodic sound with Eloah singing in a hushed tone amongst seductive jazz saxaphone elements and guitar strumming like on the swaying “What You Mean To Me” and the equally mellow “Eyes Like a Lioness.” As a whole, Ode to Brother Horn is an enjoyable and innovative album that melds several distinct genres and sounds together. The only detractors to the album’s listenability are the handful of rather long tracks that would have worked better if they had been shortened, rather than adding on musical trains to finish.

 

Rukshan Thenuwara – MuzikReviews.com Staff November 8, 2009